Showing posts with label Tim Burton. Show all posts
Showing posts with label Tim Burton. Show all posts

Friday, March 11, 2011

Tim Burton's Green Eggs And Ham


I think a dark version of Dr. Seuss is well overdue and perhaps it could come to pass as National Post illustrator Steve Murray imagines some updates of childhood classics that could follow in Red Riding Hood‘s footsteps.

Previously on Popped Culture...

Friday, November 26, 2010

Thursday, February 25, 2010

Tim Burton's Weekend At Bernie's


Tim Burton reimagines another classic tale, Weekend At Bernie's, which was clearly ripe for his sense of dark whimsy. (Landline via FilmDrunk)



Previously on Popped Culture...
You Need To Be As Mad As A Hatter
Go To Sleep, TTC
Dancing With Scissors

Wednesday, July 22, 2009

You Need To Be As Mad As A Hatter

The Alice In Wonderland trailer is dark, colourful, amazing! What what else would you expect when you mix Tim Burton, Johnny Depp and a fairytale setting? Don't take my word for it, see for yourself.

Update: Looks like Disney has pulled the trailer off the internets — only a few grainy versions remain. It must be horrible for a company to get all that free advertising and promotion. Good for them for dismissing all those fans!

Update 2: Hmm, it's back. I sure told them.

Previously on Popped Culture...
Through The Looking Glass
Through The Remixed Looking Glass
Dancing With Scissors

Monday, June 22, 2009

Through The Looking Glass

Ed Wood meets Raoul Duke, crossed with Edward Scissorhands and Willy Wonka. I love everything about the new images from Tim Burton's Alice in Wonderland, especially Johnny Depp as the Mad Hatter.

Burton's take picks up 10 years after Lewis Carroll's classic tale left off. Alice returns down the rabbit hole, but doesn't recall her childhood. Go to /film for more.

I don't want to have to wait nine more months to see this vision emerge!



Previously on Popped Culture...
Through The Remixed Looking Glass
My Name Is Depp And I Love To Get Blotto
CelebARTy

Monday, March 26, 2007

Dancing With Scissors

I like musicals. That is to say I don’t think they are the most annoying form of entertainment created by humans. No, wait, I’m equivocating again. I’ve actually seen more singing and dancing than I’ve ever acknowledged and I’ve been known to enjoy it.

In high school I saw both Cats and the Phantom of the Opera caterwaul. While in New York a couple of years ago we did the whole Broadway experience at Avenue Q (20-something, foul-mouthed, underemployed puppets, what’s not to love?) Here in Toronto we’ve completed the circle of life at The Lion King; we could not resist Mamma Mia; Wicked was, well, wicked; and most recently we saw The Lord of the Rings before it met a fiery death in the reviews of Mordor. If anyone else told me that list I’d say they like musicals, so there it is.

So when I got an email about a musical production of Edward Scissorhands coming to Toronto I was intrigued. The classic tale of a misunderstood loner trying to fit into a candy-coated version of ‘50s suburbia is one of director Tim Burton’s best. In the film Johnny Depp was superb as the terrified yet curious boy with scissors for hands and Winona Ryder was still in that cute stage before everyone realized she couldn’t act. Many of Burton’s films appear ideal for adaptation to the stage – The Corpse Bride was essentially a musical and both Charlie and the Chocolate Factory and Beetle Juice would also make for colourful show.

But I get ahead of myself. This version is based on Burton’s film but leaves the dialogue behind, choosing instead to interpret the work with dancing topiary, Christian Goths and a cast of 30 dancers. It’s just weird enough to work.

Interested? It’s playing for just three nights - Wednesday, April 4 through Friday, April 6 at 8 PM at the Hummingbird Centre. Login to Ticketmaster.ca with the promotional code EDBLOG to receive a $15 discount off any seat or price range – online sales only. Or check out the official site.

Friday, May 12, 2006

Seeing Double

Haven't we met before? With the release of Poseidon we return to one of Hollywood’s worst habits – remaking films that don’t need to be remade. Poseidon is only 34 years old and stars Gene Hackman. You can still watch Hackman in current films and rent the original, why remake it? Hollywood eats their old, I suppose that’s the case with movies as well.

So in honour of Poseidon I’ve put together the worst and the best movie remakes (to be fair, some are good). I actually did this for work so this allows me to be a lazy blogger and repurpose something I’ve already written. Check out Dose if you want to see the full picture version.

Worst Movie Remakes:
1. Director Gus Van Sant recreated Alfred Hitchcock's masterpiece Psycho shot for shot, but with Anne Heche and in colour. What, exactly, was the point?

2. Take a fantastic French film like La Femme Nikita, lighten the tone and put in a U.S. actor and you get Point of No Return, a pale shadow of the original. Can't people read subtitles?

3. Auteur Tim Burton's version of Planet of the Apes proves why indie directors shouldn't be given massive budgets -- there is nothing to reign them in, resulting in a bloated letdown.

4. Remember when you said how funny Nicole Kidman was? Oh right, nobody has ever said that. Too bad the producers of The Stepford Wives didn't realize that.

5. Adam Sandler, not satisfied with making horrible, but original, movies decided to mess with The Longest Yard. Hits to the groin ensue. Ha, ha.

Best Movie Remakes:
1. George Clooney, Brad Pitt and crew took a huge risk making themselves out as a modern day Rat Pack in Ocean's 11 but they manage it with wit and style. Too bad about Ocean's 12.

2. Though everyone should make an effort to see Akira Kurosawa's Seven Samurai, the Western version, The Magnificent Seven, is itself a classic. Plus it has Yul Brynner!

3. "Say hello to my little friend!" Al Pacino's bloody Scarface was so succesful at creating a new movie icon, few even realize it based on a 1932 film. What all remakes should aspire to.

4. Director David Cronenberg takes the campy Vincent Price verion of The Fly and adds terror and gore (and Jeff Glodblum), creating a remake that stands above the original.

5. Taking on King Kong for the third time, director Peter Jackson applied modern special effects and proved there was still life in the giant ape. Technology, it's a good thing.